Mostrar 124 resultados

Fonds consists of personal and professional records of Canadian painter Jack Bush, created chiefly in Toronto during the 1930s to 1970s: his personal diaries; record books containing notes on his paintings; photographs (slides, transparencies, negatives and prints) largely of his paintings but also of his studio, exhibit installations and other subjects; with scrapbooks of newspaper and magazine clippings about the artist, exhibition notices, examples of his commercial art, and further records of his paintings.
Contains series:

1. Diaries
2. Record books
3. Photographs
4. Scrapbooks
5. Commercial art

Collection consists of audio recordings of interviews with individuals who were active in the Toronto visual art community during Robert Markle’s lifetime, art historians, and friends and family of Robert Markle. Collection also includes two notebooks containing transcriptions and notes. Interviews were created and used in the process of researching Blazing Figures: A Life of Robert Markle. Collection includes interviews with Harvey Cowan, Jack Foster, Anna Hudson, Avrom Isaacs, Craig Kenny, Mitchell Maracle, Susan Maracle, Marlene Markle, Tim Noonan, Gordon Rayner, John Reeves, Richard Gorman, Ruth Grogan, Nobuo Kubota, Don Obe, Helen & Marty Poizner, Michael Sarrazin, Peter Stollery, Hana Trefelt, Michael Snow, Patrick Watson, Paul Young, Jack Aldersley, Kenny Baldwin, Patricia Beatty, Laura Berman, Sheryl Wanagas, Dennis Burton, Vera Frenkel, Ray Hanson, Tom Hill, Jerri Johnson, Rae Johnson, Emmett Maddix, Scott Townson, Murray McLauchlan, Stephen Williams, Gordon Lightfoot, Dennis Reid, Peter Goddard, and Diane Pugen. The collection is arranged in a single series.

The fonds consists of the administrative and race records of the Yukon Dog Mushers Association. There are four series: Correspondence; Minutes and By-laws; Financial Records; and Race Records.

Le fonds de l'Association des hommes d'affaires de Montréal retrace les origines, le fonctionnement et les diverses activités et réalisations de cette organisation qui se destine, depuis 1927, à promouvoir le développement économique du nord de la ville.

Le fonds se compose de documents constitutifs, administratifs et financiers, de procès-verbaux, de registres, de correspondance, de divers documents d'information, de documents relatifs aux événements spéciaux et à l'organisation d'activités, de rapports, d'études et de documents de réflexion, d'annuaires et de bottins, de coupures de presse, de documentation, d'imprimés, d'exemplaires du journal L'Homme d'affaires, de documents photographiques, filmiques, sonores, cartographiques et de bannières.

Le fonds comprend les séries suivantes :
41P-1 : ADMINISTRATION (1927-1983);
41P-2 : RESSOURCES HUMAINES (1940-1960);
41P-3 : FINANCES (1934-1982);
41P-4 : BIENS MOBILIERS OU IMMOBILIERS (1940-1979);
41P-5 : CLIENTÈLES, MEMBRES, PARTICIPANTS (1932-1982);
41P-6 : ACTIVITÉS, RÉALISATIONS (1930-1982);
41P-7 : COMMUNICATIONS ([193-]-1981);
41P-8 : RELATIONS EXTÉRIEURES (1940-1979).

Parmi les séries précédentes, notons les trois plus importantes, soit la série Administration, la série Activités, réalisations et la série Communications. Ces séries témoignent de la création, de l’évolution et des décisions de l’Association. Elles témoignent aussi de l’implication de l’Association dans l’organisation et le développement de nombreux projets sociaux et culturels et renseignent sur les préoccupations de l’Association concernant notamment, la circulation urbaine (chemins de fer, routes et autoroutes) et l’aménagement de parcs et de terrains de jeux tout en donnant un aperçu de l’évolution et du développement de la zone nord de Montréal.

The fonds consists chiefly of correspondence (professional and personal); diaries and address books, inventories; financial records; photographs of artworks and family; and miscellaneous papers.

The collection consists of newspaper articles, reproductions, illustrations, exhibition notices and invitations, death notices, photographs and biographical notes on 112 Canadian artists (birthdates 1803 to 1915) and four arts organizations: Canadian Society of Painters in Water Colour, Ontario Society of Artists, Royal Canadian Academy of Arts, and Toronto Art Students’ League.

Fonds consists of correspondence, photographs and other material related to the J.S. McLean Collection (including the Canada Packers collection) and to J.S. McLean’s position as a vice-president of the Art Gallery of Toronto. Fonds is comprised of the following series: J.S. McLean Collection documentation Photographs Tom Thomson sketches correspondence Art Gallery of Toronto papers

Fonds consists of the personal and professional records of John Boyle, including documentation of his work as an artist and his writing projects. Fonds includes documentation of Boyle’s involvement with Canadian Artists’ Representation Ontario, the Niagara Artists’ Company, and the Nihilist Spasm Band. Fonds is comprised of the following series: Exhibition and project files Nihilist Spasm Band files Canadian Artists’ Representation Ontario files Niagara Artists’ Company files Studio business files Manuscript writings Inventories of art works Adjunct art works Posters Financial records Published writings and illustrations

Fonds consists of two scrapbooks containing material created and collected throughout George Reid’s life and were compiled by him in the late 1930’s. Volume I, 500 pages, contains photographs and notes on the Reid family; drawings, sketches, etc., as well as press clippings and exhibition catalogues relating to works of art by Reid and his first wife, Mary Hiester Reid. The 131 pages of Volume II are devoted to designs for buildings and their interior fittings, including summer homes and a church at Onteora, New York, houses in Wychwood Park (Toronto) including the Reid house, and Ontario College of Art designs. Materials include drawings in pencil, pastel and ink, watercolour sketches, small oil paintings, blueprints, photographs, postcards, letters, texts of speeches, letters, awards and material clipped from magazines and newspapers.

The fonds includes correspondence, newspaper and magazine clippings, photographs, drawings, poems, notes and memorabilia relating to Helen Sanderson’s student days at the Ontario College of Art and subsequent teaching career. Many of these were pasted into a scrapbook, entitled ‘Art School Days’, forming a distinctive memoir of student life in the 1920’s and 1930’s. The fonds is arranged in a single series.